Friday, February 25, 2011

Textbook order

The next book IS listed on the order for English IV, spring semester, but the problem is that there is NO list for AP, second semester. But if you received Pride and Prejudice with your order, you should also have received Waiting for the Barbarians.

Still, if you don't have this book, here is the information:

Waiting for the Barbarians-Great Books of the 20th Century Edition
Edition: 1980 • Coetzee, J. M. (author)
ISBN: 9780140283358, Penguin Books
List Price: $14.00

We will need it very soon; please acquire it post-haste. It is the only available print edition, since the author is still alive and the book protected by copyright law.



Monday, February 21, 2011

Final paper for April 2011

English IV and AP
Final paper 2011

Reading List

AP students: Select a novel from the list below for independent reading during the month of April. With approval, you may also consider a novel from the second list below. Also, locate three critical analyses of the novel (Mr. Thommen has some excellent sources). Write a paper of 1500-2000 words (5-7 pages) developing in some depth one key aspect of the novel’s meaning, using both direct quotations from the novel and your 3 outside sources. You must bring five typed pages to class Monday, April 25. Papers are due Wednesday, April 27, both hard copy and turnitin.com.

Handmaid’s Tale or Cat’s Eye, Margaret Atwood
Emma, Jane Austen
Jane Eyre, Charlotte Bronte

Wuthering Heights, Emily Bronte

Lord Jim, Joseph Conrad
Great Expectations, Charles Dickens

Crime and Punishment, Fyodor Dostoevski

Middlemarch, George Eliot

Joseph Andrews, Henry Fielding
A Passage to India, E.M. Forster

The Vicar of Wakefield, Oliver Goldsmith
Return of the Native, Thomas Hardy
Portrait of the Artist as a Young Man, James Joyce
Obasan, Joy Kogawa
Sons and Lovers, D. H. Lawrence

Cry the Beloved Country, Alan Paton
Wide Sargasso Sea, Jean Rhys

Frankenstein, Mary Shelley

Anna Karenina, Leo Tolstoy
Brideshead Revisited, Evelyn Waugh
Mrs. Dalloway or Orlando, Virginia Woolf

English IV students: Select EITHER one of the novels from the list above, or one from the suggested reading list from last summer (reprinted below, with a few overlaps to the list above). Your assignment is to write a paper of 3-4 pages, with the same due dates as the assignment above, but without the required research component.

Richard Adams, Watership Down (1972)

Margaret Atwood, The Handmaid’s Tale (1986) (F)

Pat Barker, Regeneration (1991) (H)

Anthony Burgess, A Clockwork Orange (1962) (F)

A.S. Byatt, Possession (1990)

Peter Carey, The True History of the Kelly Gang (2000) (H)

Roddy Doyle, The Van (1991)

Nadine Gordimer, July’s People (1981)

Graham Greene, The Quiet American (1955)

George Hagen, Tom Bedlam (2007) (H)

Nick Hornby, High Fidelity (1995)

Aldous Huxley, Brave New World (1932) (F)

Kazuo Ishiguro, The Remains of the Day (1989) (H)

C.S. Lewis, The Screwtape Letters (1942)

Hilary Mantel, Wolf Hall (2009) (H)

Yann Martel, Life of Pi (2002)

Ian McEwan, Atonement (2001) (H)

Rohinton Mistry, A Fine Balance (1995) (H)

Patrick O’Brian, Master and Commander (1969) (H)

Michael Ondaatje, The English Patient (1992) (H)

George Orwell, 1984 (1949) (F)

Graham Swift, Waterland (1983)

Barry Unsworth, Sacred Hunger (1992) (H) or Morality Play (1995) (H)



Wednesday, February 9, 2011

Pride and Prejudice essay

AP English/ English IV
Mr. Coon

Pride and Prejudice
essay

Write an essay of approximately 600-750 words (2-3 typed, double-spaced pages), in which you discuss in as much detail as space permits the significance of the following passage to the work as a whole. In your discussion you may focus on an appropriate combination of the following elements:
  • How does the passage characterize its participants and demonstrate Austen’s methods of characterization?
  • What is the relationship of this scene to the “action” of the novel? Does it contribute to either the complication of the action or to its resolution?
  • How does it embody or advance themes important to the novel?
  • In what sense is the scene “comic”?
  • How does it most significantly illustrate Jane Austen’s style?

Essays are due Tuesday, February 15 both hard copy and electronically to turnitin.com (Pride and Prejudice 2011). Consult NO outside, internet, or spark sources in preparing this assignment, and do not discuss it with classmates. Here is the link to remind you of formatting requirements for papers in this class.

Passage:

“Tell me once for all, are you engaged to him?”

Though Elizabeth would not, for the mere purpose of obliging Lady Catherine, have answered this question, she could not but say, after a moment’s deliberation, “I am not.”

Lady Catherine seemed pleased.

“And will you promise me, never to enter into such an engagement?”

“I will make no promise of the kind.”

“Miss Bennet, I am shocked and astonished. I expected to find a more reasonable young woman. But do not deceive yourself into a belief that I will ever recede. I shall not go away, till you have given me the assurance I require.”

“And I certainly never shall give it. I am not to be intimidated into anything so wholly unreasonable. Your ladyship wants Mr. Darcy to marry your daughter; but would my giving you the wished-for promise, make their marriage at all more probable?” . . . .

Her ladyship was highly incensed.

“You have no regard, then, for the honour and credit of my nephew! Unfeeling, selfish girl! Do you not consider that a connection with you must disgrace him in the eyes of everybody?”

“Lady Catherine, I have nothing further to say. You know my sentiments.”

“You are resolved then to have him?”

“I have said no such thing. I am only resolved to act in that manner which will, in my own opinion, constitute my happiness, without reference to you, or to any person so wholly unconnected with me.”

“It is well. You refuse, then, to oblige me. You refuse to obey the claims of duty, honor, and gratitude. You are determined to ruin him in the opinion of his friends, and make him the contempt of the world.”

“Neither duty, nor honour, not gratitude,” replied Elizabeth, “have any possible claim on me, in the present instance. . . .”

“I take no leave of you, Miss Bennet. I send no compliment to your mother. You deserve no such attention. I am most seriously displeased.”



Pride & Prejudice presentations

Assignment: a brief blog entry in a series of bullet points, accompanied by a short oral presentation (3 minutes), due in class February 14 (Tuesday for section 4), covering the following information:

1. What is the writer's thesis?
2. What are one or two key points the writer makes in support of the thesis?
3. Were you persuaded? Do you agree with the writer's thesis? Why?
4. In what way(s) does this information give you new or increased understanding of the novel or of Jane Austen as a writer?

Readings (Criticism)
Whately and Oliphant, pp. 289-293
Simpson & Harding, pp. 293-299
Van Ghent, 299-306 ***
Duckworth, p. 306
Tave, p. 315
Butler, 319
Auerbach, 326
Johnson, 348
Kaplan, 368
Wallace, 376
Birtwhistle, Conklin, and Nixon, 384-392
Spring, 392
Ahearn & Gray, 399-406
Morgan, 338

(Biography)
Austen, Austen-Leigh, and Tomalin 257-264
Nokes & Honan, 264-269

Letters, p. 270


Tuesday, February 1, 2011

Schedule--February 1 - March 4

Week 5: January 31 - February 4
Day 1: Pride & Prejudice, finish volume 1, chapters 18-23; quiz
Day 2: Begin volume 2, chapters 1-6
Day 3: Volume 2, chapters 7-12
Day 4: Finish volume 2, chapters 13-19; Multiple-choice scoring exercise

Week 6: February 7 - 11

Day 1: Volume 3, chapters 1-4
Day 2: chapters 5-8
Day 3: chapters 9-13
Day 4: chapters 14-18, vocab quiz (vocal quiz) lessons 17-18

Week 7: February 14-17
Day 1: Oral reports due
Day 2: Papers due, continue oral reports
Day 3: Begin Heart of Darkness, Norton, volume B, 2326-2341
No school Friday February 18, President's Weekend break

Week 8: February 22 - 25
Monday: No school, Presidents' Weekend break
Tuesday: Heart of Darkness, Norton volume B, pp. 2341-2350
Wed/Thurs: pp. 2350-2368 (chapter 2)
Fri: pp. 2368-2387 (chapter 3); vocabulary lessons 19 & 20
Note: these are very unequal divisions, so I strongly recommend that you use a bit of time over Presidents' Weekend to read ahead; that way you'll have less difficulty staying caught up.

Week 9: February 28 - March 4 (only day that's a command!)
Day 1: No assignment, continue Heart of Darkness discussion
Day 2: Read Waiting for the Barbarians, chapter 1
Day 3: WFB, chapter 2
Day 4: WFB, chapter 3 + Practice AP multiple-choice quiz

THIS WEEK IN VARSITY ENGLISH
WEEK 10: MARCH 7 - 11
Monday: Mini-research day: "emergency powers;" South African law 1960's & 70s; "political prisoners;" Argentina in the 70's; use of torture; Ruth First (Diana Roth); martial law; apartheid; etc. Post link (beyond Wiki), photograph, and 3-sentence summary on your blog
Tuesday: WFB, chapter 4 (p. 119 or 139 depending on edition)
Wed/Th: WFB chapter 5 (p. 140 or 165); ABODA jazz festival Wednesday
Friday: Finish WFB, vocab quiz lessons 21 & 22; 7th grade courage retreat

WEEK 11: March 14 - 18

Day 1: Blog "What are the two most significant or important lessons the magistrate learns during the year in which the novel takes place?" Don't waste words on openings closings, or vague generalities; get to the meat from the first sentence and stay there. Two paragraphs will suffice.
Day 2: In-class essay test: Heart of Darkness and/or Waiting for the Barbarians
Day 3: The Importance of Being Earnest, act 1, (volume B, pp. 2221 - 2237)--look for absurd statements, wit and word play, and characters who confuse the trivial and the important in life
Day 4: Earnest, act 2, pp. 2237-2254; multiple-choice passage quiz.

WEEK 12: March 21-25
Day 1: Finish Earnest, act 3, pp. 2254-2263; reservations for independent reading novels accepted beginning Sunday morning, March 20, no more than 3 readers per title.
Day 2: Our Faire Englische Tung, chapter 5, pp. 43-55
Day 3: Final declaration day for novels for independent reading
Day 4: Capt. McHonett's Day of Adventure; IFF

Spring break: March 25-April 3: Read independent novels; begin poetry unit upon returning, Monday April 4

Thursday, January 27, 2011

Jane Austen's style--class exercise

Locate a passage which illustrates one aspect of Jane Austen's style: look for one of the following:
  • significant diction (vocabulary choice);
  • syntax (e.g. parallel structure within balanced sentences, use of relative clauses)
  • verbal irony used for satiric effect, esp toward a character
  • character revealed through dialogue
  • character revealed through narrative statement
  • a passage whose tone you can identify and comment upon
  • figurative or rhetorical devices
Create a brief comment on the significance of the passage you have chosen. How does it add to the overall "effect" of the writing at this point in the novel?

Wednesday, January 19, 2011

Final options--Hamlet

Hamlet
Final options

1. Test—of the kind you’ve seen from me before: ID’s, passages, short essay.

2. Essay—three pages on a topic chosen from one specific aspect of the play: a discussion of the stages and phases of Hamlet’s state of mind, drawn from his soliloquies; the purposes and functions of the roles of Rosencrantz and Guildenstern, Hamlet’s relationship with Ophelia, the significance of one scene to the play as a whole, or a similar topic of your devising, chosen in consultation with me.

3. Performance—EITHER a monolog memorized and performed for the class, approximately 25 lines: one of Hamlet’s soliloquies, Claudius’ prayer, the Player King’s monolog during the play-within-the-play, Gertrude telling Laertes of Ophelia’s death. OR a video of a scene (20-25 lines times the number of characters), with approximately equal measures of dialog for each of the participants. The only caveat for this option is to avoid turning tragedy into comedy by creating a deliberately exaggerated or distorted version of your scene. In either case, the performance must be accompanied by a written copy of the scene, with subtext identified to show the goals of the performance.

Due Day 1 of next week for tests and essays (Monday for sections 1, 2, & 3, Tuesday for section 4), day 2 for performances.



Tuesday, January 11, 2011

Subtext Assignment--Hamlet

English IV & AP
Hamlet subtext assignment
January 2011
1.
After reading Kenneth Branagh’s screenplay and viewing the scene between Hamlet and Ophelia, write the subtext for Act 3, scene 4 of the play.

2.
Full text of the play may be found on the internet. Go to Google and enter something like Shakespeare MIT (here’s the link ). This will take you to the MIT website directly to Act 3, scene 4 of Hamlet. Download the scene onto a word-processing document and change the name of the queen from Margaret to Gertrude. You are responsible for the portion of the scene beginning with “enter Hamlet” and ending with “exit ghost.”

3.
The goal of your notes is to make the subtext explicit. Subtext refers to all those elements of a scene’s meaning which are implied but unspoken in the text. It includes the characters’ motives, thoughts, emotions, gestures, movements, and tone of voice. (See handout defining subtext).

4.
Add your subtext to the scene. Put your notes in a different type style from the text itself (italics / roman, boldface / roman, etc) to make them easier to identify and read.

Due Friday January 14.



Wednesday, January 5, 2011

Two Hamlet links

First, the more serious, about a juvenile prison in South Africa where young inmates are performing Hamlet;

And second, an old comedy skit by the British group Blackadder (House fans will recognize Hugh Laurie), in which Shakespeare negotatiates with his producer over a new play he is writing.

Assignments, January 2011

Week 1: January 4 - 7
Day 2: Hamlet, act 1, scenes 1 & 2
Day 3: Hamlet, act 1, scenes 3, 4, & 5
Day 4: Multiple choice quiz, begin Hamlet act 2

Week 2: January 10 - 14
Day 1: Hamlet, finish reading act 2
Day 2: Hamlet, act 3, scenes 1 & 2
Day 3: Hamlet, act 3, scenes 3 & 4
Day 4: Vocab quiz lessons 13 - 14, Hamlet subtext assignment due for act 3, scene 4, hard copy and turnitin. com (title: Hamlet subtext)

Week 3: January 17 - 21
No school Monday January 17--MLK holiday
Day 2: Hamlet, act 4, scenes 1, 2, 3, 4, & 5
Day 3: Hamlet, act 4, scenes 6 & 7, act 5, scene 1
Day 4: Hamlet, act 5, scene 2 (can you guess in advance which characters won't die?) Multiple choice quiz

Week 4: January 24- 28
Day 1: Hamlet test, paper, or project (your choice)
Day 2: Pride and Prejudice, chapters 1 - 6 (please use the Norton Critical edition,
    ISBN 0-393-97604-1, as it contains background material we will use for
    class presentations.
Day 3: Pride and Prejudice, chapters 7 - 11
Day 4: P & P, chapters 12 - 17; vocal quiz, lessons 15 - 16

Week 5: January 31
Day 1: P & P, chapters 18 - 23

Tuesday, January 4, 2011

Second semester readings

1. Hamlet, William Shakespeare (purchase a paperback copy today, if possible)
2. Pride and Prejudice, Jane Austen (you should have received a copy with your books in August)
3. Heart of Darkness, Joseph Conrad (in anthology, volume 2)
4. Waiting for the Barbarians, J.M. Coetzee (paperback)
5. Lyric poetry (in anthology, volumes 1 & 2)
6. The Importance of Being Earnest, Oscar Wilde (in anthology, volume 2)
7. Selected novels for final paper (list will be provided prior to spring break)

Tuesday, December 7, 2010

Tentative exam formats

Although I have only written portions of each exam, my PLAN is to use the following formats (subject to change if these don't work out the way I think they will).

English IV
Vocab--25 matching
Literary terms--10 matching
Characters--10 matching
Englische Tung--10 Matching
12th Night ID's--10 matching
Quotations--10 matching

1 Essay--50 to 60 minutes, using examples and ideas from multiple works to discuss a common theme or a connection between the works themselves and their historical periods.

AP
Vocab--25 matching
3 of the 5 matching sections listed above
Multiple choice--2 passages, 25 to 30 questions

1 essay--40 to 45 minutes--using information and examples from one work read this semester to discuss a topic from an earlier AP Literature exam.


Monday, December 6, 2010

Exam review

English IV & AP
December 2010
Exam prep--first draft--more to follow when I get further in the writing process

1.    Lessons 1 – 12 in the vocabulary workbook. Definitely review those words and definitions for the exam. Probable format: matching. Probable length: 25 or so words with 35 or so definitions to choose from.

2.    History of English, chapters 1, 2, & 3. Eras: Anglo-Saxon, Anglo-Norman, Renaissance. For each period, think about the major themes of language we have discussed. Which historical, political, or cultural factors most influenced the language at each stage of its development? What were the results of each of these historical forces? What examples from the language itself best illustrate the operation of these historical influences? Probable format: unknown

3.    Beowulf
Key themes & terms: epic, hero, fate, honor, tribal values, kinship, kingship, leadership, warrior culture, wisdom, feuds, alliterative verse, kennings, role of women, political marriages, blending of pagan and Christian influences, boasting, revenge, loyalty, oral tradition, imbedded narratives (bards), historical importance, elegiac quality

4.    Paradise Lost
Themes and terms: literary epic, blank verse, the fall, innocence, lust as innocence lost, temptation, rebellion and disobedience, free will, knowledge as Godliness, ambition, Satan as sympathetic antagonist?

5.    Sir Gawain and the Green Knight
Themes and terms: knighthood, courtly love, chivalry, alliterative revival, romance, courage, contest, Pentangle, honor and obligation, temptation and human weakness, hospitality,

6.    General Prologue
Themes and terms: estates satire, iambic pentameter couplets, four humours, ideals, corruptions and abuses, uses of irony, humor, double entendre, tradition of pilgrimage, make-up of 14th century English society, social change, use of stereotypes, examples of various professions, frame narrative

7.    Miller’s Tale
Themes and terms: Fabliau, narrative structure, plot and subplot, relationship between tale and teller, Miller’s personality revealed through tone and details, satire of courtly romance, idealism and justice, attitudes toward sex and gender

8.    Pardoner’s Tale
Themes and terms: Exemplum, style of preaching, relationship between tale and teller, relationship of prologue to tale, relationship of Pardoner and Host, uses of irony

9.    Twelfth Night
Themes and terms: Genre of comedy, relationship between serious and playful, relationship of plot and subplot, love, self-love, madness, revenge, duty, friendship, word play, gender roles, order and disorder, exaggeration, coincidence, disguise, probability of event

10.    Multiple-choice reading comprehension
For AP students only. Probable format: Multiple choice (Duh!); probable length: 30 questions, 30 minutes


Wednesday, December 1, 2010

Twelfth Night performance

For those interested and available, this week's performances of 12th Night are 7:30 Thursday, Friday, and Saturday, 2 PM Saturday, and 3 PM Sunday. I plan to attend Sunday. Currently (as of 11 AM Wednesday) there are 40 seats available for that performance.

This is the box office link for ordering tickets. Or call 480-644-6500.

Tickets are available at the student rate, with no service charges, if you purchase them at the box office the day of the performance, but you have to show your student ID to get the discount ($15).

Mesa Arts Center is located at 1 E. Main St Mesa (SE corner of Main and Center Streets).

I hope some of you will be able to attend.

Thursday, November 18, 2010

2nd semester elective choices

Remember, if you are in AP English, you are automatically enrolled in the 2nd semester of Major British Authors.

However, if you are either not enrolled in AP, or if you are and are still looking for a 5th (or 6th) course, please consider the following options:

Literature of Science Fiction and Fantasy (Mr. Guthrie)
The Art of Compostion (Mr. McHonett & Ms. Thompson)
Shakespeare (Mr. Burns & Mr. Coon), a performance/literature course offered for English or Theater Arts credit

Not all these courses received sufficient pre-enrollment last spring; however, I'm wondering if perhaps some of your circumstances have changed and you now find yourselves needing another class. Ideally, I'd like to see all 3 of these electives offered.

If you have any questions, please see me. Mr. Flanagan-Hyde will do a short presentation at morning meeting the 29th and ask those interested to complete a course request form at that point.

Friday, November 12, 2010

Blog #7--I-Search assignment

For this blog, write the draft of what will become the first page of your paper. Write a couple of paragraphs on what you already know about your word. Answer whichever of the following questions you find most applicable:
What does your selected word mean to you going into this assignment?
What do you already know about your word?
Why did you choose it?
Is there a specific moment or incident or association you have with your word?

Also, keep looking at the sources, both print and online, for further understanding of your word's meaning(s). The next portions of your paper will include an overall description of your search, any difficulties you experienced, any surprises you encountered, and specific insight into the information you find about your word. In the body of the essay, you will combine an analysis or interpretation of what you learned (including direct citations from your sources), along with personal commentary and reflection on that information.

The last page (or so) of your paper will contain your final reflection on your search, focusing both on the process and on what you learned about your word from the various sources.

N.B. You will include a Works Cited page at the end of your paper, so be sure to keep records of the full bibliographic information for each source you consult.

N.B. Keep track of your notes, printouts, and photocopies. These all go in your binder along with the draft and final copies of your paper.




Tuesday, November 9, 2010

I-search resources

Biblos, a bible study tool. I suggest in particular comparing the King James (KJB) and Revised Standard (RSV) bibles to see if and where your word occurs.

Open source Shakespeare, an excellent way to search the plays for individual words.

One Look, a dictionary search engine listing all the online dictionaries in which a word appears. Useful for comparing different definitions. One of their links is for Noah Webster's original 1828 dictionary, the first distinctly "American" dictionary. Check it out.

American Verse Project, part of University of Michigan's vast array of online resources (Go Ohio State!). Its limitation is that it only cites American poems published prior to 1920 (still, very good for Whitman, Dickinson, Poe, John Greenleaf Whittier, other 19th century American poets.)

A slightly facetious, but perhaps useful site called word detective.

An online etymological dictionary, not a scholarly work, but a fascinating project being done by an ambitious amateur.

The Middle English Dictionary, another (gulp!) resource from University of Michigan.

Dr. Samuel Johnson's 1755 dictionary.

Saturday, November 6, 2010

Updated word list

Here is the updated list I promised yesterday. I also sent it to your school e-mail. Hope you're having a good weekend.

•    Anger
•    Atonement
•    Beauty
•    Belief
•    Bliss
•    Brave
•    Burden
•    Calm
•    Chance
•    Chaos
•    Charity
•    Charm
•    Confusion
•    Courage
•    Cruel
•    Cunning
•    Curious
•    Curse
•    Darkness
•    Despair
•    Destiny
•    Doom
•    Doubt
•    Ecstasy
•    Envy
•    Evil
•    Faith
•    Fame
•    Fate
•    Fear
•    Fortune
•    Freedom
•    Friend
•    Generous
•    Genius
•    Glee
•    Glory
•    Glutton
•    Good
•    Grace
•    Greatness
•    Greed
•    Guile
•    Guilt
•    Happiness
•    Hatred
•    Heart
•    Hero
•    Holy
•    Honor
•    Hope
•    Human
•    Idea
•    Ignorant
•    Illusion
•    Imagination
•    Inspiration
•    Jealousy
•    Journey
•    Joy
•    Justice
•    Kindness
•    Knowledge
•    Love
•    Loyalty
•    Luck
•    Lust
•    Mercy
•    Mind
•    Miracle
•    Natural
•    Normal
•    Pain
•    Passion
•    Patriot
•    Peace
•    Pride
•    Quest
•    Rational
•    Reality
•    Reason
•    Redemption
•    Revenge
•    Riches
•    Righteous
•    Sacrifice
•    Savage
•    Serene
•    Shame
•    Sin
•    Sorrow
•    Soul
•    Spirit
•    Success
•    Terror
•    Trust
•    Truth
•    Valor
•    Vanity
•    Wealth
•    Weird
•    Wisdom
•    Wit
•    Wonder

Thursday, November 4, 2010

Chaucer test

4 parts

1. Identification--The Hundred Years War. Courtly Love. Canterbury Cathedral. Exemplum.

2. Paraphrase--rewrite a brief passage from CT in modern English. Stay as close as possible to the meaning of the original but express that meaning in sentences that make clear sense in contemporary style.

3. Match the pilgrims--a list of pilgrims and a list of descriptions from the GP

4. Passages from the Miller's Tale and the Pardoner's Tale--identify the speaker or situation or a key word or a central irony. Each passage will contain some context clue relevant to the question being asked.

I-Search a Word--paper assignment #3

Assignment: Write a paper of 5 to 8 pages (5 to 6 for English IV, 7 or 8 for AP) containing an extended definition of a single word, a commonly used word, but one with an abstract or intangible quality to its meaning. In your paper you will make references to the sources you have consulted, but the style of the paper will be a first-person account of your search for the word’s ultimate meaning and an analysis of what you learn along the way.

Sources: Consult the following sources to include all the necessary information in your paper:

1. The Oxford English Dictionary in our library—what are the earliest uses and contexts for your word recorded in the English language. Does the OED mention the word occurring in either Sir Gawain or Chaucer?

2. A good unabridged or international dictionary—what key definitions does the dictionary give for the word? What is its etymology?

3. A print or online thesaurus—what are the most important synonyms for your word? Include a list from the thesaurus in the sources section of your folder.

4. A Concordance to Shakespeare—in which plays does the word occur? Copy the speeches containing the word and the plays in which they are found.

5. A Concordance to the Bible—list the verses containing the word and copy these verses onto a page in your sources section.

6. A statement of what the word means to you, both before and after you conduct your research.

7. For AP students, two of the following: a poem in which the word occurs, a citation from an online quotations list, a work of art or music, a book about words and language, a work of history, a newspaper article, cartoon, television show, or movie. (One such source is optional for English IV.)

Process: Gather your findings in a binder. The first thing in the binder you submit will be the final copy of your paper, then your draft, edited by two peers and one other person (a third peer, a parent, a friend), and a section containing the printouts of all your research materials with sources clearly indicated in full MLA format.

Rationale: According to Edward Jenkinson and Donald Seybold, “it is extremely difficult for anyone to define a word that does not have objective [meaning]. Yet the ideas, feelings, and emotions that are most significant in our lives are conveyed [by such words]. . . .Everyone who uses such words as freedom, rich, or love has slightly different notions about what those words mean, [yet] we frequently act as if we are talking about the same thing when we use such words.” Thus, this assignment is to sift through our assumptions about one abstract word to find relevant historical information about its uses and meanings throughout the history of the English language.

Schedule:

·H Have your word chosen and approved by me by the beginning of class Tuesday, November 9. (Everyone must have a different word.)

· We will spend that day (Wednesday for section 4) in the library looking at the OED and other source material.

Your blog for Monday November 15 will include your previous understanding of the word along with a brief summary of what you have learned so far in your research. It may be incorporated in some fashion into your draft later.

· We will return to the library after our vocab quiz Friday November 19.

Monday, November 22, bring your drafts to class, five pages minimum to earn credit for this part of the assignment.

Binders are due in my classroom by 3PM, Tuesday, November 23. Final drafts must also be submitted by that time to turnitin.com (assignment title: I-Search a Word).

Style: Write your paper as a first-person account of your search for the ultimate meaning of your word. Use your sources to make your analysis of the word credible, but connect those sources to your personal quest for the word’s meaning, your previous understanding of the word, and what you learned along the way, both about the word and the research process. You should both summarize and analyze the information you gather from your sources in the body of the paper. Information should be cited parenthetically, linked to a list of Works Cited at the end of your paper.

Words: So far I’ve brainstormed 40-some words, but I need your help coming up with further ideas, so that everyone works with a different word for this assignment. Here is my list:

·A Atonement Beauty Belief Chaos Confusion Courage Darkness Despair Doom Doubt Ecstasy Envy Fear Freedom Friend Glutton Grace Greatness Happiness Hatred Heart Holy Honor Imagination Jealousy Journey Joy Kindness Knowledge Love Loyalty Mercy Natural Passion Quest Redemption Revenge Riches Shame Spirit Success Wealth Wisdom Wit

What word interests you sufficiently to spend two weeks researching and writing about its history and most important meanings? After I review this assignment in class Friday, November 5, I will accept email requests for words beginning Sunday morning at 9 AM. By class time Tuesday November 9 everyone must have selected a word to work with.



Wednesday, October 27, 2010

Miller's Tale discussion topic

How has Chaucer made the tale "fit" the teller? In how many ways can we identify the precise nature of the relationship between the tale and its teller?

Specifically, let us consider the following:
• the Miller's choice of material (does the fabliau match what we know of the miller's personality?)
• methods and depth of characterization (how much do we know about each character? how "dimensional" are they? why?)
• use of key details (find examples of little choices in keeping with the miller's interests and character. what are the most interesting facts about each character, at least to the miller?)
• use of language (what words does the miller especially like? what examples of puns can you find?)
• sense of humor/ tone (which parts are intended humorously? what kind of humor is it? Is the miller making fun of any of his characters?)
• "fabliau justice" (do the characters get what they deserve? If not in our eyes, how about in the miller's system of justice?)
• in what way(s) does the Miller's Tale "quite" the Knight's Tale?

Wednesday, October 13, 2010

Additional Chaucer links

1. The short piece we looked at in class about the Three Estates, by Professor Debora Schwartz of Cal Poly University English department.

2. The essay on "Medieval Estates and Orders" referred to on page 170 in our textbook.

3. Side-by-side modern English translation and original Middle English version of the General Prologue, courtesy Towson State University, Maryland.

Tuesday, October 12, 2010

Pronouncing Middle English--links

First, professor Jane Zatta, Southern Illinois University, reads the General Prologue. (The audio file is broken into units of about 12 lines, but her voice is quite clear)

Next, a YouTube file containing an audio reading and a phonetic transliteration of the lines. (The audio is better than the phonetics, which don't always match what the voice is reading.) I haven't identified the voice.

A page on the Harvard (pronounced Hahvahd) web site, which contains both the original text, a line-by-line modernized version, and a sound file.

Finally, a list of several available recordings, both from the General Prologue and some of the tales, provided by the English department at Virginia Military Institute. (You need the Real Audio Player software to listen to some of these recordings).

Listen to several recordings. Notice that not all ME (Middle English) readers pronounce words the same. Still, by listening to the opening lines several times, you can get a better sense of the sound of the English language 600 years ago. Practice repeating along with the voice of the reader; the more you do so, the more quickly you will be able to memorize the material.

Wednesday, October 6, 2010

"Shed jewel" October 12-December 15

Week 8: October 11-15

No School Monday--Fall Break
Day 1: No assignment--Bring Lit books to class for Intro to Chaucer
Day 2: Read pp. 165-171, up to line 42 ("at a knight thanne wol I first biginne")
Friday: Read pp. 171-177, to line 286; MCQz, RdgQz? (End 1st Marking period)

Week 9: October 18-22

Monday: Read pp. 177-183, to line544; blog 6 (topic from chapter 3 or a character from GP)
Day 2: Read pp. 183-190; bring vocal books to class
Day 3: Read pp. 191-196, to line 230 ("of farting")
Day 4: Read pp. 196-201, to line 492 ("go save oure lif'); vocab quiz lessons 7-8

Week 10: October 25-29 (revised)

Monday: Read pp. 202-207; perform memorized recitations of GP lines 1-18, with feeling
Day 2: Make a Difference Day
Day 3: Finish Miller's Tale; finish recitations, with feeling
Friday: Continue discussion of Miller's Tale; No Qz

Week 11: November 1-5
(revised yet again--3rd time's the charm?)

Monday: Read the Pardoner's Tale, pp. 235-249; probable RdQz (it's been a while); blog #6: locate 5 lines in the Pardoner's Tale which interest you but about which you have a question; blog about these lines; copy them, ask your question, pose a possible answer or personal reaction.
Day 2: Continue discussion of Pardoner's Tale
Day 3: Wrap up discussion
Friday: MCQz 5; Intro "I-Search Word" papers, 5 - 8 pages, due Tuesday, November 23

Week 12: November 8 - 12

Monday: Test #2, General Prologue, Miller's Tale, Pardoner's Tale, chapter 3 Faire Englische
Day 2: Read chapter 4, Oure Faire Englische Tung; library orientation and work day #1 for I-Search papers, including OED
Day 3: Read Twelfth Night, pp. 510-518; bring Vc books to class
Friday: Twelfth Night, pp. 518-526 + VcQz 9 & 10

Week 13: November 15-19

Monday: Twelfth Night, pp. 527-536; blog (#7) your word--what do you already know about your word, why did you choose it, what new information have you discovered so far, what resources have you used???
Day 2: Twelfth Night, pp. 536-545; bring vocab books to class
Day 3: Twelfth Night, pp. 545-556
Day 4: VcQz 11 & 12; library work day #2

Week 14: November 22-26

Monday: Bring drafts of I-Search papers to class, MINIMUM 5 pages
Tuesday: Papers due, all sections, hard copy and turnitin.com
Wednesday: Thanksgiving break--no class Wednesday, Thursday, or Friday

Week 15:November 29 - December 3

Monday: Twelfth Night, pp. 556-562
Day 2: Twelfth Night, pp. 562-72
Day 3: Wrap up
Day 4: Quotation quiz

Week 16: December 6 - 10

Monday: Blog 8: What is Shakespeare's message about love and how does it compare to or intersect with your own view? (You don't need to quote from the play for this assignment, but you must refer to specific characters and incidents in your discussion) 500-600 words

(N.B.--If you see the performance at Mesa Arts Center, you may substitute a blog focusing on 3 ways that seeing the play changed or enhanced your understanding or appreciation of the text or differed significantly from reading it.)

Week 17: December 13 - 17

Wednesday, December 15--Semester exam, 9AM, Hormel



Friday, October 1, 2010

Medieval Romance

I. • The hero is a knight, a member of a rare and select company, known for his courage and valor.
• The knight must respond to a challenge, often setting for himself, on behalf of his religion, his liege lord, or a captive lady, a difficult or seemingly impossible task.
• The heroic knight must perform noble deeds in the fulfillment of this challenge.
• The knight has a strong relationship, characterized by great chivalry on his part, often involving love, with a beautiful, sometimes mysterious lady.
• The adventures are set in vague, imaginary, unearthly, or exotic settings.
• The mystery and suspense of the adventure often derive from the existence of supernatural elements in the tale.
• Concealed or disguised identities often figure prominently in the pursuit of the adventure.
• Mystical numbers such as 3 or 5 are often used and repeated.
• The knight’s courage and faith will be sorely tested during his adventure, and he will experience moments of doubt and weakness.

source: http://www.loyno.edu/~MidAges/medievalromance.html

II.
  • "romance" originally referred to the "vernacular" language in which courtly tales were composed, to distinguish them from "real" literature written in Latin.
  • Eventually, the term referred to the kind of tales popular in Anglo-Norman courts, stories of the chivalric adventures of knights and their ladies, often set in the court of King Arthur.
  • Early audiences were largely women, a queen or duchess and ladies of her court, who wanted to see women in more important roles than in the earlier male-bonding epics of the Anglo-Saxons. So the poets produced tales in which the knight is still a brave warrior but is now motivated by the desire to serve a lady in a chivalric way.
  • Thus the tales developed a relationship later known as "courtly love," in which the knight serves his lady (usually NOT his wife) with obedience and submission (she controls the relationship), and is inspired by her love to do great deeds.
  • Extramarital aspect is not inherently immoral but rather an idealized romantic relationship which can therefore not exist in the "real" context of medieval marriage (typically based on monetary, political, or dynastic goals, NOT love). Therefore the quasi-adulterous quality that bothers modern readers was probably at that time beside the point.
Source: Prof. Debora Schwartz, Cal Poly University (Link)

Questions:
What form do these characteristics of medieval romance take in the story of Sir Gawain and the Green Knight?

How have these conventions been adapted, in exciting ways, in contemporary popular culture, such as books, films, graphic novels, or comic books?

Thursday, September 30, 2010

Paper #2

Choose one of the following topics for a paper due Thursday, October 7 (for all sections, including those not normally meeting on Thursday). Use only your ability to interpret and explain the text itself. Do not look online for supplemental information.

Topic 1

Using only the evidence of Paradise Lost, Book 9, lines 834 – 1189 (N.B. Not all of these lines were assigned or discussed in class), describe the relationship between Adam and Eve as Milton presents it.

Topic 2

After his final encounter with the Green Knight, Gawain takes the green belt because he will “remember with shame the faults and the frailty of the flesh perverse, how its tenderness entices the foul taint of sin.” Yet Arthur and his court celebrate Gawain and “agree with gay laughter and gracious intent that the lords and the ladies . . .a baldric should have . . of a bright green, to be worn with one accord for that worthy’s sake.”

In your opinion, is the green belt a symbol of Gawain’s failure or of his worth as a knight? Support your interpretation with brief references to the text.

Notes
  • As before, use only the assigned reading as a source. Do not seek additional material from any secondary source.
  • Papers are due Thursday, October 7 for all sections, both hard copy and turnitin.com.
  • For quoted material, use parenthetical line numbers rather than pages.
  • Suggested lengths: 750 words (2-3 pages) for English IV, 1000 words (3-4 pages) for AP students.
  • Check here for important reminders about heading, format, and style.

Wednesday, September 22, 2010

Blog assignment #5--Sept 22-26

Please complete before Monday, September 27:

Post at least 5 comments on the most recent blogs left by your classmates last week. Remember, these blogs were either oral presentations or alternative points of view for specific scenes in Beowulf.

Each comment you post should be 3 or 4 "meaty" sentences (thank you, Dr. A).

Be as specific as you can. Point out choices the writer made that you admired. Point out ideas or facts or sentences you enjoyed. Point out things you wouldn't have thought of yourself. Since our blogs are public and this is an assignment, your job is not to be snarky, ironic, sarcastic, or "smack" talk your friends and classmates. Your goal here is to be an appreciative member of someone else's reading public, so that we all have the opportunity to experience writing for a real audience.

Remember, links to everyone's blog can be found on mine. Also, to avoid anyone being inadvertently neglected, please do NOT post a comment on someone's blog that already has 5 existing comments. Move on to someone else's. (You can, of course, avoid this particular issue by being among the first to post your comments.) If you wish to post MORE than 5 comments, you may then go back and post anywhere, even those entries which already have 5.

Any questions?

Wednesday, September 15, 2010

Sample test questions

ID's--Breca, Freawaru, "forgyf us ure gyltas," semantics, Anglo-Saxon Chronicle, Heatho-Bards

Passages--give specific context (speaker and situation) and explain the significance of a passage to the work as a whole:
"Let whoever can win glory before death. When a warrior is gone, that will be his best and only bulwark. So arise, my lord, and let us immediately set forth on the trail of this troll-dam."

Essay--two paragraphs providing examples and brief discussion of a topic: "One essential quality of an epic is that it depicts the most important customs of a culture. What customs of Germanic culture are given greatest emphasis in the poem?

Blog 4--September 20

Take a look at Beowulf through a pair of eyes other than your own. Pretend to be one of the following characters and write in that voice. Stay true to the content of the poem, but be creative in your presentation of the point of view you choose.

1. You are Wiglaf. Describe your thoughts at the funeral of Beowulf. What thoughts and feelings are going through your mind and heart?

2. You are the Danish coast guard. Describe the arrival of Beowulf and the Geats, including your thoughts and impressions.

3. You are Hreporter, correspondent for Hrothgar's Heroic Herald, otherwise known as the Danish Daily Dispatch. Write your account of the victory feast and celebration following Beowulf's killing of Grendel.

4. Choose another minor character and re-create that character's part of the story in first-person point of view.

Thursday, September 2, 2010

Mea Culpa

I forgot that the chowderheads who publish the vocab book redid the quizzes so that they now cover two, not three, lessons at a whack. So the first quiz is lessons 1 & 2, the next 3 & 4, and so on.

Our apologies for any confusion or inconvenience--The Management

Tuesday, August 31, 2010

Beowulf links

A couple of sites with a wealth of information on Old English and the Beowulf epic:

The first, by Syd Allan, contains information on many topics related to the study of Old English literature and Beowulf in particular.

The second, by Benjamin Slade, contains, among other things, a dual-language translation of the poem, allowing us to see each line in comparison with the original Anglo-Saxon text.

Also, YouTube contains many videos, from those done by earnest amateurs to movie trailers to more scholarly presentations.

These are resources which can be explored for the purpose of creating short oral presentations in class.

Saturday, August 28, 2010

Blog tips

1. Locate and use the return key. After having plowed my way through several 500-word long paragraphs, I want to say how readers enjoy consuming ideas in nice bite-size paragraphs rather than having the entire three-course meal stuffed down our throats in a single mouthful. (Blogger's formatting doesn't always recognize tab indents, so I'd even suggest a double return between paragraphs to make the divisions clearer.)

2. Put word count in parentheses at the end of your entry.

3. Keep working to create your own voice. I'm enjoying reading your early posts, and I'll enjoy them even more as you work on sounding like the authentic, intelligent self you are and not what you think I want you to sound like. Many of you are already doing so; keep it up. Your writing is so much nicer if it has a recognizable touch of your personality in it.

4. Take my e-mail address out of the "blog send" box in your settings. And if you have a PS from me, PLEASE turn off the word verification setting.

5. Act like you're enjoying it (even if you're not) and eventually you will.

Clarification

The projects at the ends of chapters in Faire Englishche will be assigned individually in class. The reading assignment is only the content of that chapter.

Sorry for any confusion--The Management

Tuesday, August 24, 2010

Updated schedule

I've made some changes to the assignment schedule. The new one gets us to the same place as the old one by Friday, September 10 (end of week 3 and my 60th birthday) but the order of the assignments is different. Between the JLP retreat and the 9th grade trip, there were too many conflicts to justify having a paper due Friday Sept 3. See the schedule of assignments for details.

Saturday, August 21, 2010

Assignments--August 23 - October 7

English IV & AP—Major British Authors
Mr. Coon

Schedule of Assignments

August—October, 2010

Note: All assignments are DUE for the class day listed.

Week 1: August 23—27

Day 1: First day—welcome, syllabus, blog intro, assignments

Day 2: Set up account with Google Reader (see “how to start a blog,” on mrcoonsenglish.blogspot.com); write blog assignment #1.

Day 3: Read chapter 1, Our Faire Englische Tung

Day 4: Quiz 1—Multiple choice (15 minutes); write blog assignment #2

Week 2: August 30—September 3

Day 1: Read chapter 2, Our Faire Englische Tung

Day 2: Anthology, pp. 1 - 7

Day 3: Anthology, pp. 26-35 (to l. 185)

Day 4: pp.35-41 (to l. 490); vocab quiz, lessons 1-2

Week 3: September 7—10 No classes Monday (Labor Day)

1: Anthology, pp. 41-48 (to l. 835)

2: Paper #1 due Wednesday, Sept 8 for all sections (including section 3 which does not meet)

3: Multiple choice quiz 2; read pp. 48-66 (l. 1650)

Week 4: September 13—17

1: blog #3 due; read pp. 66-83 (l. 2509)

2: pp. 83-97.

3: Vocab quiz 2 (lessons 3-4)

4: Test on Beowulf and Anglo-Saxon English

Week 5: September 20—24

1: blog #4 due; read pp. 723-732 (to l. 270)

2: read pp. 778-781 (to l. 171)

3. pp. 823-828 (ll. 567-833)

4: Multiple choice quiz 3; read pp. 829-834 (ll. 886-1098)

Week 6: September 27—October 1

1: blog #5 due; read chapter 3, Oure Faire Englische Tung

2: Read pp. 112-124

3. pp. 124-137

4: vocab quiz 3 (lessons 5-6). pp. 137-154

Week 7: October 4—7—No school Friday (Fall Break)

1: read pp. 154-165; no blog due

2. drafts due for paper #2; topics to be announced

3. Papers due; multiple choice quiz #4



Friday, August 20, 2010

Heading and format guidelines

Click here for a document detailing requirements for heading and format of your papers.

Paper #1 assignment

English IV & AP
Paper #1
Summer reading assignment
Due Friday, September 3, 2010

1. Papers must be submitted both as hard copy to me and digital file to turnitin (assignment title: Summer Reading Paper). If you will be absent Friday, your paper is due Thursday, September 2.
2. Follow guidelines on mrcoonsenglish.blogspot.com for proper paper heading and format. Be sure to include the necessary information.
3. Length is 800-1000 words (approximately 3 pp) for English IV students and 1300-1600 (approx. 5 pp) words for AP students.
4. Use NO secondary sources for this assignment. Refer only to your own thoughts and the text of your selected novels. No google searches, no sparknotes, no yahoo answers, no Jstor articles, or any outside sources of any sort. Am I making myself sufficiently clear about this?

Topics

1a. (for English IV) “One of the great powers of literature is its ability to teach us what it means to be a human being. Whether the story we read is set in the past, present, or future, writers show us what is important to people, what they value most, what their deepest hopes, fears, conflicts, or dilemmas may be. Through a privileged glimpse into an imagined life, set in the context of a specific place and time, we gain new knowledge not only into that other reality but also into our own humanity.”—Prof. T-Bone McGanahan

Apply this statement to the novel you selected for your summer reading assignment. Select one character from that novel and, in an essay, explain how the writer gives the character recognizable humanity despite any differences in setting and circumstances between that character’s life and our own. Refer to the novel for specific examples to support your ideas. Avoid plot summary.

1b. (for English IV) If you both read the book and watched the movie based on that novel, write a paper comparing the two. In particular, assess the significance of the decisions made by the screenwriter and director in adapting the novel to film. How faithful was the adaptation? How successfully was the spirit and emotion of the novel translated to the screen? Be certain to use specific references to both media in your discussion.

2. (for AP students) Often, the most significant events in a novel are mental or psychological. For example, the key to understanding the novel may lie in an awakening, a discovery, or a change in consciousness (adapted from the 1988 Advanced Placement examination in English Literature and Composition).

Apply this statement to both of the novels you selected from the reading list. For each, briefly show how the writer gives internal events the same excitement, suspense, and climax we often associate with external action. Identify the internal change and suggest its significance to the novel as a whole. Refer specifically to both novels in the course of your discussion. Avoid plot summary.

Blog assignment #1--Most memorable books

Think about the most memorable reading experiences you have ever had in your life. List 10 of them in a blog post, including a brief note about your reason for including each. How old were you? Why was that book so memorable? Here are my choices, not in any particular order; what are yours?

1. Catcher in the Rye, J. D. Salinger. When I was 15 I thought it the truest book I'd ever read. I haven’t changed my mind all that much in the years since.
2. The stories of Edgar Allan Poe. I found these at my public library the summer I was 12 and couldn't stop reading. Nearly 50 years later, I can still picture the library book and its purple cover. The Pit and the Pendulum, The Gold Bug, Murders in the Rue Morgue—loved ‘em.
3. All the Kings Men, Robert Penn Warren. Read it the first time when I was 20. I’ve gone back to it several times since. The best account of hardball politics I know, but also a great story of personal redemption.
4. Master and Commander, Patrick O'Brian. I love the whole series, all 20 volumes. I’ve read each one at least twice. The British navy during the Napoleonic wars comes alive and the characters are utterly memorable and convincing. I toured Adm. Nelson's flagship, HMS Victory, this summer.
5. Winter's Tale, Mark Helprin. A burglar, a consumptive heiress, a flying horse, and bridges from the future—what a combination.
6. A Confederacy of Dunces, John Kennedy Toole. The most outrageously funny book I've ever read. I laughed out loud often.
7. Outlander, Diana Gabaldon--another series—I read volume 7 this summer. Time travel, romance, and history in one ever-expanding package.
8. Lonesome Dove--Larry McMurtry--my all-time favorite western, and I’ve always loved westerns. Part of a series of 4 novels, but this one stands out as the best of the bunch.
9. Gone to Soldiers--Marge Piercy--my favorite WWII novel, follows the experiences of 10 characters from the war’s beginning to its end. Some die, some go on to unexpected careers, all are profoundly affected by the war.
10. Anna Karenina--Tolstoy--read it one chapter a night before bedtime for three months—an amazing story. Lots of serious readers call this the best novel ever written.
11. Absalom Absalom AND The Sound and the Fury, William Faulkner—I like them both so much I can’t choose between them. The closest thing to actually living in the Old South is immersing yourself in a Faulkner novel. Not easy, but they’re worth the effort
12. Pride and Prejudice, Jane Austen--my 2nd favorite 18th century novel. I've had a crush on Lizzy Bennett since I was 18, I think.
13. Tom Jones, Henry Fielding--my favorite 18th century novel. A 900-page novel I once read in 4 days.
14. Great Expectations, Charles Dickens--he may be a bit out of fashion now, but I love Dickens stories, the breadth of them, the marvelously eccentric characters, the twists and turns of plot.
15. Adventures of Huckleberry Finn, Mark Twain--the book I've read the most times, so many I've lost count.

Finally, at the risk of disappointing some of you severely, I hereby confess that I’ve only read one Harry Potter book. I enjoyed it but don't feel any overwhelming need to continue the series. I enjoyed The Magicians by Lev Grossman more. It's funnier and written for a little older audience. Also haven't read Hunger Games or the Twilight series, although I do have a favorite vampire book, The Historian by Elizabeth Kostova, which comes close to making my list.

Blog assignment #1

Go to www.blogger.com. You should be automatically directed to their start page. Follow the "three easy steps" :
--Create your account using your PCDS e-mail account and a password of your choice (suggestion: use the same account and password for your turnitin.com account). Since your blog will only be read by me and by your classmates, please use your first and last name as your display name; that way I always know whose blog I'm reading and you get credit for having written it.
--Name your blog. Whatever you like, but it's a school assignment, so be appropriate, please. For your blog's url, use firstname-lastname so that we may find each other's blogs easily during the year.
--Select a template for your blog. Pick whichever one you like, with one condition. My eyes are getting older and I can't read text set against a black or dark blue background, so please don't choose one of those templates.

After you create your template, click "start posting" to go to the editing page of your blog. From there, you have one more crucial task. Copy the exact URL of your blog carefully and legibly onto a bookmark card and give it to me when you arrive in class.

Finally, one crucial setting. Open the "comments" tab, scroll down, and click the "NO" button next to a setting called "show word verification for comments." This one is important to save me a great deal of time and bother when I write comments back to you about your blog posts. Be sure to click "save settings" before you leave this section of your settings.

When you have completed all these steps, click the "Posting" tab and create your first blog entry.

I recommend that you write, edit, spell-check, and word-count your letter as a word document then paste it into the box on the posting page of your blog. When you're done, give it a title, click the orange button marked "publish post," and voila!—you have created your first blog entry (410).

Syllabus

English IV & AP
Major British Authors I
Syllabus
Mr. Coon; Fall 2010

I. Goals

This fall-semester course examines the origins of literature in English and traces the development of the English language from its Germanic roots to the eighteenth century. Readings include the Anglo-Saxon epic Beowulf, excerpts from the narrative cycle The Canterbury Tales, the medieval romance Sir Gawain and the Green Knight, Shakespeare’s comedy Twelfth Night, excerpts from the literary epic Paradise Lost, and lyric poetry of the 17th and 18th centuries. A supplemental text develops a historical understanding of the growth and development of the language itself.
Some students in the course have the AP designation attached to their enrollment. These students, chosen on the basis of their interest, prior achievements, and motivation level, supported by the department’s recommendation, are expected to meet slightly higher academic standards. AP students write one additional paper, write slightly longer papers, and take occasional quizzes based on practice materials drawn from previous AP English Literature examinations. Also, students enrolled with AP designation are required to take the second half of the Major British Authors sequence in the spring semester and sit for the AP exam in English Literature and Composition in May.

II. Textbook

The Norton Anthology of English Literature: The Major Authors, Eighth edition, Volume A

III. Additional texts
1. Vocabulary for Achievement, 6th course
2. Oure Faire Englische Tung: A Brief History of the English Language
3. Selected novels for summer reading

IV. Written work
The primary forum for written work is your blog. You are required to post weekly blog entries relating to the literature studied in the classroom. Your blogs will receive a grade, accounting for 30% of each quarter’s grade. Blog entries should be approximately 500 words in length (please indicate word count in parentheses at the end of each entry). I will not, however, grade by length alone; rather, quantity will be one of four criteria, along with regularity and completeness of entries, quality of style, and originality of content. Instructions about creating and posting blog entries may be found on my blog at mrcoonsenglish.blogspot.com.
Occasionally I will ask you to respond to particular prompts or questions on my blog, but often there is no set topic for your weekly entries. Rather, I ask you to find an element of the assigned reading that interests you and discuss it thoughtfully. This comment may take many forms, a few of which are suggested here:
• Discuss a character’s actions, words, personality, moral values, or humanity.
• Comment on the writer’s style, use of language, tone, irony, or imagery.
• Consider a topic or idea raised in class discussion, trying to go beyond what has already been stated.
• Raise and discuss a question about the text under consideration.
• Discuss the importance or meaning of a key passage or scene from the reading.
• For longer works, show how a scene or passage develops a theme or pattern identified in class.
• Make a comparison between a scene, character, or idea from the literature and something from another source or from your own experience
• Use an idea from my blog or from that of one of your classmates as a point of departure for your response.
• Locate relevant research material on the web, post a link to the site on your blog, and discuss your choice.

In all cases, your goals are to demonstrate close, careful reading of assigned texts, challenge yourself to creative, original thinking, and develop your fluency as a writer. In addition to blog entries, several times each semester, I will assign papers, either revisions of blog entries or interpretations of assigned novels, plays, poems, or stories.

IMPORTANT: HEADINGS FOR PAPERS—Always head your papers with the following information: your name, date, turnitin receipt number, and word count (your word processing program should perform this last task for you automatically).


V. Turnitin.com
In addition to submitting hard copies of your papers this year, you are required to submit electronic copies of all papers to turnitin.com. These instructions will help you submit your papers. Use your PCDS e-mail address and the same password for turnitin.com that you use for your account at blogger.com.
• On your web browser, go to turnitin.com. Register as a new user or login to the personal home page you created last year. You must give your PCDS e-mail address and a personal password which contains both letters and numbers to register. Click “student” as your user type. Give whatever other information may be necessary as you move through the required fields.
• When you reach your personal home page, click “join new class.” Then enter a class ID and a class enrollment password. For AP students, the class ID is 1598905 and the password “APeng”; for World Literature students (non-AP) the class ID is 1875359 and the password is “engIV”. Click “submit” when you finish. N.B: You only need to complete this step once.
• Then submit your paper. When you click on the class title, you will go to the class history page. Click on the word “submit” in the middle navigation bar. Enter the title of your paper and select the assignment with the correct date from the pull down menu. Assignments are listed by the title of the work and the date an assignment is due.
• After entering your title and selecting the correct assignment, paste your essay into the box marked “main text.” (In my experience, the copy and paste method works better than the upload method. You may, of course, find otherwise). You may ignore the boxes marked abstract and bibliography unless otherwise instructed. When your paper has been pasted into the “main text” box, click “submit.”
• Remember to put your digital receipt number on the assignment before you give it to me. Otherwise your assignment will be marked late and penalized accordingly.

VI. Participation and attendance
• Class discussion is a crucial part of the course. Therefore, it is imperative that we all treat one another with respect and behave in such a way as to contribute to, not disrupt, an atmosphere conducive to maximum learning.
• Participation in class is mandatory. I understand that the introverts have difficulty speaking in front of your peers and me; nevertheless, I expect you to contribute meaningfully to class activities and discussions. You must come to class having done the reading assigned and be prepared to discuss the material, answer questions, venture informed opinions, and articulate personal responses.
• Participation grades are assigned as follows and account for 10% of your grade in the class: "A" students are fully engaged, on time with the necessary books and supplies. They display obvious enthusiasm for the tasks of the class: reading, talking, listening, working in a group, thinking about a problem. "B" students' engagement varies slightly, sometimes at "A" level, sometimes not. "C" students are generally involved but with noticeable lapses. They may arrive late to class or frequently forget materials. They spend time on things other than the work at hand: chatting with friends, doing homework for another class, catching up on sleep, or staring off in space. "D" students exhibit these behaviors to an even greater degree, becoming a distraction to the work of the class, having a negative impact on the group's ability to get its work done, regularly coming to class unprepared.
• The first six excused absences each semester, not including those for School business (athletic competitions, class trips, performances, field trips, etc) will not be penalized. The seventh, ninth, and eleventh absences will result in a one-third letter grade penalty in your participation and attendance grade, and the thirteenth will result in a participation grade no higher than D for the semester. Latenesses to class will be reported to the Dean of Students. Detention begins on the third and subsequent lateness to each class.

VII. Vocabulary
• Three new lessons in the vocabulary book are assigned every other week. We will look briefly at the new words during the first class of the week, so please bring your books to that session. Quizzes will take place the first 10 minutes of class on alternate Fridays unless otherwise notified.
• For first semester, we will cover lessons 1-15; for the second, lessons 16-30. Quizzes will contain all 30 words from the three lessons.
• Missed vocabulary quizzes must be made up at your earliest possible convenience. After one week, barring extraordinary circumstances, missing scores will be entered as zeroes.



VIII. Grading policy

• Grades are determined on a point system in which each assignment is weighted by the number of points it contains. Points will be totaled at the end of each quarter and semester and grades determined in accordance with the percentages contained in your student handbook.
• Grades from individual assignments are then weighted into categories as follows: blogs (20%), papers and tests (50%), vocabulary and quizzes (20%), participation (10%).
• Assignments are due at the beginning of class. Work turned in during or after class is considered late and will be penalized. Late work is eligible for a score no higher than 75%, depending on the quality of the assignment and the degree of lateness. If you are absent the day an assignment is due, either have a classmate turn it in or fax the assignment to the Upper School office (602-224-6177).
• Students who miss quizzes or tests because of excused absence must make arrangements for make-up immediately upon returning to school. Missing work (quizzes or assignments never turned in or made up) will result in an incomplete grade for the quarter or semester.
• Any student who establishes a clear pattern of failing to complete the assigned reading according to the prescribed schedule will receive a semester grade of D or F, regardless of that student’s scores on other assignments. Repeated missing or poor written work, failed quizzes or tests, or the inability to supply basic factual information in class will be taken as signs of not reading.
• All assignments must be completed in accordance with the school’s honesty policy. See your handbook for details and be certain you know the difference between plagiarism and acceptable use of source material.



X. Contact information
• In person—room 311. Stop by to talk or ask a question anytime I’m free. My schedule is posted on the door of my classroom. To make up a quiz, go over an assignment, a speech draft, or a college essay, please make an appointment first.
• By voice-mail—602-956-0253 x4296
• By fax—602-224-6177
• By e-mail—Lance.Coon@pcds.org

Thursday, April 22, 2010

SHK--Final projects 2010

Follow this link to project requirements and schedule.

English IV--Summer Reading List

English IV & AP
2010 Recommended summer reading


Prior to the first week of the new school year, please read at least one of the following titles, all written by authors from the British Isles or Commonwealth. If you are enrolled in English IV AP, please select at least two titles, one from list I and one from list II. You are, of course, encouraged to choose additional titles for your own pleasure reading. (N.B. “H” designates historical fiction, set in a period earlier than its date of composition; “F” represents a work set in the future.)

I. Nineteenth century
Jane Austen, Persuasion (1818)
Charlotte Bronte, Jane Eyre (1847)
Emily Bronte, Wuthering Heights (1847)
Charles Dickens, A Tale of Two Cities (1859) (H)
Thomas Hardy, Tess of the D’Urbervilles (1891)
Mary Shelley, Frankenstein (1818)

II. Twentieth/Twenty-first century
Richard Adams, Watership Down (1972)
Margaret Atwood, The Handmaid’s Tale (1986) (F)
Pat Barker, Regeneration (1991) (H)
Anthony Burgess, A Clockwork Orange (1962) (F)
A.S. Byatt, Possession (1990)
Peter Carey, The True History of the Kelly Gang (2000) (H)
Roddy Doyle, The Van (1991)
Nadine Gordimer, July’s People (1981)
Graham Greene, The Quiet American (1955)
Mark Haddon, The Curious Incident of the Dog in the Night Time (2003)
George Hagen, Tom Bedlam (2007) (H)
Nick Hornby, High Fidelity (1995)
Aldous Huxley, Brave New World (1932) (F)
Kazuo Ishiguro, The Remains of the Day (1989) (H)
C.S. Lewis, The Screwtape Letters (1942)
Hilary Mantel, Wolf Hall (2009) (H)
Yann Martel, Life of Pi (2002)
Ian McEwan, Atonement (2001) (H)
Rohinton Mistry, A Fine Balance (1995) (H)
Patrick O’Brian, Master and Commander (1969) (H)
Michael Ondaatje, The English Patient (1992) (H)
George Orwell, 1984 (1949) (F)
Graham Swift, Waterland (1983)
Barry Unsworth, Sacred Hunger (1992) (H) or Morality Play (1995) (H)

Several of these novels have been adapted into fine movies. Feel free to rent the film after you read the novel, as you could elect to write a brief comparison of the two for your first written assignment.

Wednesday, April 14, 2010

Shakespeare--important dates

Friday, April 16--Vocab 23, 24
Wed. April 21 -- Test on Twelfth Night (ID's, a few passages, a short essay topic)
Friday, April 23 -- Sonnet performances in honor of Shakespeare's (and Sarah's) birthday (thanks to Sarah A and Salona for cake and cookies)
Tuesday, April 27 -- Review plays & vocab lessons 25 & 26
Wednesday, April 28 -- Selection of final performance projects
Friday, April 30 -- Last vocab quiz (25, 26)
Thurs, May 13 -- Final project performances in Dorrance, 11:30 - 12:15, public invited
Friday, May 14 -- Last day of class
Saturday, May 15 -- Prom
Monday, May 17 -- Awards Day
Tuesday, May 18 to Friday May 21 -- Senior class trip
Monday, May 24 -- Final exams for any unfortunate souls with averages below 72.5%
Thursday, June 3 -- Graduation rehearsal, graduation
Friday & Saturday, June 4 & 5 --Greer Days celebration & parade

Monday, April 12, 2010

AP--week of April 12

Day 1--small group discussions of The Glass Menagerie. All answers must be supported by examples drawn from the text of the play.
Group 1--what are Amanda's admirable qualities? How do they add to the presentation of her character? How sympathetic is her total portrayal in the play?
Group 2--Why does Jim respond so warmly, even protectively, to Laura? What do they have in common? Why does he pull back from her so suddenly?
Group 3--How does Tom, unlike Laura, protect himself from the debilitating atmosphere of the apartment? How do his soliloquies employ irony to illustrate his methods of psychological self-defense?

Day 2--before class, read Arthur Miller's essay "Tragedy and the Common Man," on p. 1833. Which of his ideas about tragedy differ most sharply from those implied in the plays of Sophocles and Shakespeare? in class, read the handout from "The Play is Memory," by Benjamin Nelson. Discuss this question: to what extent do you agree with his implication that the major shortcoming of The Glass Menagerie is that its characters lack tragic stature?

Day 3--Read Act 1 of Fences; come to class prepared to discuss your initial impressions of all the central characters. Also, in-class exercise on AP style analysis.

Day 4--vocab 23 & 24 quiz. Short video on the career of August Wilson. Continue reading and researching your outside novels.

Monday, April 19--finish reading Fences.

Thursday, April 8, 2010

Final projects--African-American Lit

Suggested reading list for final projects.
N.B. Projects must be “multi-media” in some way. That is, the reading may be accompanied by research in an area related to its theme, into African-American popular culture, into film, art, and music, and the results of this learning are to by synthesized into a powerpoint presentation involving text and either audio or visual supplements.


Alice Walker -- The Color Purple
James Baldwin -- If Beale Street Could Talk
Audre Lorde ???
Gloria Naylor -- Mama Day, The Women of Brewster Place
Ishmael Reed -- Mumbo Jumbo
Rita Dove -- Mother Love
Ntozake Shange -- Nappy Edges, for colored girls who have considered suicide . .
Toni Morrison -- Bluest Eye, Sula, Jazz
Lucille Clifton -- Adventures of Everett Anderson—all volumes
Terri MacMillan -- Waiting to Exhale
Carolivia Herron -- Thereafter, Johnnie
Barbara Smith -- Home Girls
Paule Marshall -- Brown Girl, Brownstones
August Wilson -- The Piano Lesson
Ernest Gaines -- The Autobiography of Miss Jane Pittman
Alex Haley -- Roots
Maya Angelou -- I Know Why the Caged Bird Sings
Walter Mosley -- Devil in a Blue Dress

Monday, April 5, 2010

AP schedule April 5 - May 6

Week of April 5--Read The Glass Menagerie, scenes 1 - 5, pp. 1836 - 1860 for Thursday; multiple choice practice quiz Friday; blog on outside reading over the weekend.

Week of April 12--reading blogs due Sunday night; read The Glass Menagerie, scenes 6 & 7, pp. 1860 - 1885 for Monday; Read Fences, Act 1, pp. 1996 - 2026 for Thursday; vocab quiz 23-24 Friday.

Week of April 19--Read Fences, act 2, pp. 2026 - 2048 for Monday; multiple choice practice quiz Friday; finish novels and JStor research for papers

Week of April 26--Write papers; five typed pages due in class Tuesday/Wednesday; final drafts due Friday, April 30 (approx 2000 words); 60-minute multiple choice practice exam Thursday April 29.

Week of May 3--Exam review; exams in Government, French, Spanish, Statistics, Calculus, and Chinese; AP exam in English literature Thursday, May 6, 7:45 AM.

No class Friday, May 7

Week of May 10--To be Announced. We will definitely have class Friday May 14 (last day for seniors)

Monday, March 15, 2010

AP--Link to reading list

Here is the assignment for the final paper of this course.